2017 Annual Meeting Video
2017 DDS Sponsored Panel
Different Diversities: Ethnomusicological Encounters across Neurodiverse Communities and Deaf Culture
October 27, 2017 from 1:45-3:45PM at the Society for Ethnomusicology 62nd Annual Meeting (Colorado Ballroom A of the Denver Marriott City Center in Denver, CO)
Chair: Jennie Gubner, Indiana University Bloomington
Michael Bakan, Florida State University: Re-presentation and the Musical Lives of “Autistic” Individuals
Jennie Gubner, Indiana University Bloomington: Unlocking Memories, Rethinking Advocacy: Sensory Filmmaking in the Study of Music and Dementia
Katelyn Best, Independent Scholar: A Transient Archive: Virtual Ethnographic Research within Deaf Music Studies
Discussant: Felicia Youngblood, Florida State University
In recent years, ethnomusicologists have begun to question how physiological and neurocognitive diversity impact the ways in which individuals and communities make and experience music. It is to such questions that we, a collective of scholars studying autism, dementia, deafness, and Williams Syndrome, respectively, direct our attention in this panel. Specifically, we see this as a compelling opportunity to critically reflect on the particularities of conducting fieldwork and producing meaningful ethnomusicological work through our research collaborations with neurodiverse and perceptually diverse people. In looking to draw parallels across our experiences, we focus on some of the unique challenges we have encountered while employing traditional approaches to field research and, from there reflect upon how we have endeavored to overcome these challenges using methods ranging from virtual fieldwork to sensory filmmaking. Some of our papers additionally address the nature of our relationships not only with our research interlocutors, but with the people that surround those individuals as part of their care and support networks as well. Understanding ethnographic fieldwork as a series of complex encounters in which the nature of the encounter often shapes its outcome, we hope to encourage dialogue regarding alternative methodologies that have led to the production of rich ethnomusicological knowledge about neurodiverse and Deaf individuals and/or communities